as far as old movies go. Should they be judged solely by the period they were made? If they're "good for their time" is that good enough? Or is it wiser to compare them with their latter cousins of the same genre? Can their "crudeness" be ignored?
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as far as old movies go. Should they be judged solely by the period they were made? If they're "good for their time" is that good enough? Or is it wiser to compare them with their latter cousins of the same genre? Can their "crudeness" be ignored?
9 comments:
'd like to know from which movie the snapshots are please! :)
other than that, I'd like a higher update frequency.
:)
The snapshots are from 3 different movies. The first one is the iconic final scene from 'Sunset Boulevard', one of my favorite film-noirs. The second is Chaplin's 'The Kid', one of his best. And the third one is Fellini's '8 1/2'.
Working on my update speed :)
nice to see some solid posts after 2 months' gap, keep it up!
Thanks, will do my best.
I have been following this marvelous blog for a while now. Decent reviews on painstakingly chosen topics.
Keep up the excellent work my dear Anil, i am solicitously waiting for your movie reviews.
I see you're the latest LAMB. Welcome! (My blog is LAMB #33.)
Since I review older movies, I love the point you made about their context. I struggled with that in my review of All About Eve. It was hailed as "perfect" by some in its time, but it seems campy and over-the-top now. I didn't think I was evaluating it in relationship to more modern films but I wonder if that's inevitable because they're already part of the fabric of my thinking.
You gave me some food for thought. Thanks!
Thanks for the warm welcome :) If the post gave you something to chew on, I'm more than glad.
I see your whole point about All About Eve. As I said in the comment I wrote in your blog, the movie works for me because I simply love the fact that Eve is a villain and a very subtle one at that. Not only the fact that she's a sly and opportunist character, but also she leaves a mixed impression on the audience (at least, she did so on me) and I love that ambiguity. Rarely you see something similar in a drama from 50s.
Will keep checking your blog.
The reason why many critics rarely recognize post-90s movies is because they think the movies haven't quite aged enough yet to be on a top 10 list. I don't think that should always be the case, but seeing movies that were released 2-3 years ago on a top 100 list irks because it does feel like the film hadn't aged enough when the all-time great movies are indeed capable of aging gracefully. A truly great movie is always great and should appeal to every generation.
Of course, not every generation is open to new things. Young people are reluctant to discover classic films and the older moviegoers don't care for the new blockbusters.
But I completely agree with you about how the constant changes in cinema. Technology has made the viewing experience more impressive and extraordinary than ever. Besides that, time has changed and some stories can easily be updated. To me, remakes aren't recycled ideas (although some are), but they are new opportunities to enrich an old story.
Great post on an interesting topic!
Thanks for stopping by Marcy. And I think I partially agree with you about how a movie should age well in order to be ranked high in best-of lists. I just have a certain reluctance that I cannot name, so I'd better gather my thoughts and save them for another post (maybe)
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