Thursday, April 17, 2008

Oldies But Goldies

And Some Outdated Classics

It's always a hot debate, how to evaluate old movies. You'll often hear the words "good for its time" or "a timeless classic" as opposed to "crude" or "outdated". Some will think the recent exploitative horror cinema is inferior to its ancestors while the others will find the old ones "not scary enough". It's like a generation gap in cinema. Younger audiences tend to be upset by the lack of certain things from movies, such as computer generated imagery, actors they recognize, actors that are alive, non-theatrical acting, passionate french kissing etc. The shortage on colors and sound doesn't help the situation either. Therefore they are often blamed for not paying enough attention to the likes of Orson Welles, Federico Fellini, Alfred Hitchcock, Stanley Kubrick, Akira Kurosawa and many others. The older generation on the other hand, is commonly accused of being conservative and close-minded about recent movies.

I am not capable enough to solve this eternal problem with a few words I scribble on my blog so I won't try. But as someone who reviews movies, I think I must make clear where I stand as far as old movies go. Should they be judged solely by the period they were made? If they're "good for their time" is that good enough? Or is it wiser to compare them with their latter cousins of the same genre? Can their "crudeness" be ignored?

I have a simple and not-so-surprising answer to this question, which eliminates all my hopes of winning a nobel prize for it: Both. My explanation is also simple: I think ignoring the context of a movie is the critical equivalent of anachronism. Watching something that belongs a few years (or even decades) before our time and than comparing it to what you see today is like saying bell-bottoms were stupid because it's not fashionable to wear them anymore. You're missing the whole point. Imagine stumbling upon the remnants of an old treasure chest. The values of the coins inside would be so high that the change in currency would scarcely be the point. One should simply be prepared to explore the riches.

That being said, one should not ignore the great speed with which the art of cinema is maturing every year. A certain subject or genre might have been explored in greater detail and depth with a new movie; a specific story could have been told better or even a remake can be more sophisticated than the original material. Sticking to what's 'old' even in these cases and no matter what is pure bigotry. Unfortunately, that's what most veteran critics seem to be doing at the moment. It might be getting harder to accept and digest new things after certain age so maybe I shouldn't judge them too harshly; but the internet is indeed filled with top lists which rarely include a movie that was released after the fall of the Soviet Union. Now that's really not my cup of tea either.


There goes my stance. The original idea behind this post was to announce that from time to time I will also review the older movies that I happen to watch and see something worthy enough to write something on. Look for the label 'Oldies' for those ones. We'll see how it goes.


9 comments:

melicki said...

'd like to know from which movie the snapshots are please! :)

other than that, I'd like a higher update frequency.
:)

Anil Usumezbas said...

The snapshots are from 3 different movies. The first one is the iconic final scene from 'Sunset Boulevard', one of my favorite film-noirs. The second is Chaplin's 'The Kid', one of his best. And the third one is Fellini's '8 1/2'.

Working on my update speed :)

Raxiux said...

nice to see some solid posts after 2 months' gap, keep it up!

Anil Usumezbas said...

Thanks, will do my best.

Roger Ebert said...

I have been following this marvelous blog for a while now. Decent reviews on painstakingly chosen topics.

Keep up the excellent work my dear Anil, i am solicitously waiting for your movie reviews.

Tricky Movie Trivia said...

I see you're the latest LAMB. Welcome! (My blog is LAMB #33.)

Since I review older movies, I love the point you made about their context. I struggled with that in my review of All About Eve. It was hailed as "perfect" by some in its time, but it seems campy and over-the-top now. I didn't think I was evaluating it in relationship to more modern films but I wonder if that's inevitable because they're already part of the fabric of my thinking.

You gave me some food for thought. Thanks!

Anil Usumezbas said...

Thanks for the warm welcome :) If the post gave you something to chew on, I'm more than glad.

I see your whole point about All About Eve. As I said in the comment I wrote in your blog, the movie works for me because I simply love the fact that Eve is a villain and a very subtle one at that. Not only the fact that she's a sly and opportunist character, but also she leaves a mixed impression on the audience (at least, she did so on me) and I love that ambiguity. Rarely you see something similar in a drama from 50s.

Will keep checking your blog.

Marcy said...

The reason why many critics rarely recognize post-90s movies is because they think the movies haven't quite aged enough yet to be on a top 10 list. I don't think that should always be the case, but seeing movies that were released 2-3 years ago on a top 100 list irks because it does feel like the film hadn't aged enough when the all-time great movies are indeed capable of aging gracefully. A truly great movie is always great and should appeal to every generation.

Of course, not every generation is open to new things. Young people are reluctant to discover classic films and the older moviegoers don't care for the new blockbusters.

But I completely agree with you about how the constant changes in cinema. Technology has made the viewing experience more impressive and extraordinary than ever. Besides that, time has changed and some stories can easily be updated. To me, remakes aren't recycled ideas (although some are), but they are new opportunities to enrich an old story.

Great post on an interesting topic!

Anil Usumezbas said...

Thanks for stopping by Marcy. And I think I partially agree with you about how a movie should age well in order to be ranked high in best-of lists. I just have a certain reluctance that I cannot name, so I'd better gather my thoughts and save them for another post (maybe)